Skip to product information
1 of 1

John James Audubon (1785-1851), Plate XCI, Broad-winged Hawk

John James Audubon (1785-1851), Plate XCI, Broad-winged Hawk

Regular price $ 35,000.00 USD
Regular price Sale price $ 35,000.00 USD
Sale Sold out

AUDUBON, John James (1785 - 1851)

Broad-winged Hawk, Plate XCI 

from Birds of America

Aquatint engraving with original hand color

London: Robert Havell, 1827-1838

38 1/4” x 25” sheet


The best open wing ever drawn. A favorite for Audubon society members for over 100 years.

"I put the bird on a stick made fast to my table. It merely moved its feet to grasp the stick, and stood erect, but raised its feathers, and drew in its neck on its shoulders. I passed my hand over it, to smooth the feathers by gentle pressure. It moved not. The plumage remained as I wished it. Its eye, directed towards mine, appeared truly sorrowful, with a degree of pensiveness, which rendered me at that moment quite uneasy. I measured the length of its bill with the compass, began my outlines, continued measuring part after part as I went on, and finished the drawing, without the bird ever moving once. My wife sat at my side, reading to me at intervals, but our conversation had frequent reference to the singularity of the incident. The drawing being finished, I raised the window, laid hold of the poor bird, and launched it into the air, where it sailed off until out of my sight, without uttering a single c

John James Audubon is without rival as the most celebrated American natural history artist.  Audubon devoted his life to realizing his dream of identifying and depicting the birds of North America, and his work has had profound cultural and historical significance.  In the second decade of the 19th century, he set out to travel throughout the wilderness of the United States, drawing every notable species of native bird. His remarkable ambition and artistic talent culminated in the publication of the monumental Birds of America in 1827-38, a series of 435 aquatints that have only grown in fame since the time of their first appearance. This work established Audubon as an early American artist who could attract European attention, and for many, he personified New World culture and its emerging independent existence.  
 Audubon was born in Haiti, the illegitimate Creole son of a French sea merchant and a local chambermaid. He was raised in France until 1803, when his father sent him to the United States to avoid being drafted into the Napoleonic wars. There he started what proved to be a long run of unsuccessful schemes. He tried to run a lead mine in Pennsylvania. It folded. After marrying, he opened up a store in Louisville and it, too, went under. He started a steamboat line, and it led him into bankruptcy. By then he was 35 and, he admitted to his wife, a failure. 
But throughout his life he nourished a passion for the study and illustration of bird life. At the time, marketing was not as unlikely an endeavor for Audubon as it might seem today. It was a respectable, if somewhat chancy, business, and natural history was a popular subject; in fact, Audubon faced considerable competition. He had little formal training in art and even less in ornithology, but what he lacked in experience he made up for in braggadocio. He pursued his birds with an unusual passion for accuracy and painterly beauty, a fervor caused as much by desperation as by scientific and aesthetic high-mindedness. For years he tracked his subjects to the known edges of the country; the journals he kept along the way are a literary achievement in themselves. By his death in 1851, he had completed 584 individual studies, 435 of which appeared in The Birds of America.

View full details