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CHEVALIER, Nicholas (1828-1902). Natives on the Shore of a South Sea Island.

CHEVALIER, Nicholas (1828-1902). Natives on the Shore of a South Sea Island.

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CHEVALIER, Nicholas (1828-1902).
Natives on the Shore of a South Sea Island
Watercolor, heightened with bodycolor on paper
Signed lower right: “N. Chevalier, 1884”
4” x 7 1/4” sheet
13” x 16 1/2” framed

This finely executed watercolor by Nicholas Chevalier depicts a quiet shoreline scene in the South Seas, rendered with the luminous palette and careful detailing that distinguish Chevalier’s mature work. Two figures sit beside an outrigger canoe beneath the sheltering branches of tropical foliage, while the distant sea shifts gently from turquoise to deep blue. Heightened with bodycolor, the composition carries a subtle radiance, capturing both the clarity of light and the calm atmosphere of the island setting.

Chevalier was among the most accomplished European artists to work across the Pacific in the nineteenth century. Born in Russia to a Swiss father and later trained in London and Lausanne, he traveled extensively through Australia, New Zealand, and the Pacific islands beginning in the 1850s. His paintings and sketches are prized today for their precise observation and for the role they played in shaping European visual understanding of Pacific landscapes and cultures. Chevalier became the first official touring artist for the colonial government of Victoria and contributed significantly to early exhibitions of Australasian art in Europe.

In the present sheet, Chevalier’s refined draftsmanship and soft layering of washes emphasize the harmony between landscape and figures, presenting a scene that is both documentary and contemplative. His South Sea works often reflect moments of daily life rather than staged or theatrical imagery, and this watercolor exemplifies that approach: intimate in scale, rich in detail, and attentive to the character of place.

Beautifully framed and in excellent condition, Natives on the Shore of a South Sea Island stands as an appealing and historically resonant example of Chevalier’s Pacific oeuvre, offering collectors a glimpse into the artistic traditions that documented exploration, travel, and cross-cultural encounter in the nineteenth century.

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