TRAVIES, Edouard (1809-1865). Original Painting of a White-sided Hillstar Hummingbird. Paris: 1847.
TRAVIES, Edouard (1809-1865). Original Painting of a White-sided Hillstar Hummingbird. Paris: 1846.
Single sheet, wove paper (13 x 9 inches), EXQUISITE PAINTING OF A WHITE-SIDED HILLSTAR HUMMINGBIRD, Oreotrochilus leucopleurus, perched on a sprig of the pink flowering Centrodenia rosea, original watercolor and gouache over graphite, heightened with gum arabic, inscribed in ink beneath the image "Centradenia rosea Troch. Leucopleurus (Chili)" [possibly in Edouard Travies' hand], and signed by the artist lower left "Edouard Travies pinxit. 1847. No. 20".
A superb painting of the White-sided Hillstar hummingbird, the southernmost species of Hillstar, being found in grassland and scrub in far southern Bolivia, Chile and western Argentina.
Edouard Travies (1809-1865), was the great illustrator of Hummingbirds included in his iconicLes Oiseaux Les Plus Remarkables Par Leurs Formes et Leurs Couleurs. Scenes variees de leurs moeurs & de leurs Habitudes, Paris: Ledot aine (or Berrieux) and London: E. Gambert & Co. (or Victor Delarue), ca. 1857. It is possible that this watercolour was intended for engraving for an edition of M.A.Richard's Oeuvres Completes de Buffon, Paris 1825-1828, 1834, 1838, 1845, 1848, and ca 1848-1850.
Travies' artistry represents a pinnacle in French ornithological illustration. Natural history, as a descriptive pursuit bent on identifying new species, demanded detailed illustrations. The minute precision of Traviès' work places him with the best of France's scientific artists. Traviès was born in Doullens, in the Somme district of France, in March 1809, the younger brother of the caricaturist Charles Joseph Traviès de Villier (1804-1859). Throughout his career he concentrated on natural history subjects, both in watercolor (he exhibited regularly at the Paris Salon between 1831 and 1866) and lithography. Unlike a number of his contemporaries, he was an artist both with the brush and on stone. Traviès' original watercolors were reproduced as both engravings and lithographs, which are considered among the best portraits of birds ever painted. The artist rendered the backgrounds fully, incorporating foliage, flowers, butterflies, as well as the birds themselves, all with considerable charm.
For more information about this work, or other watercolors in the Arader Galleries collection, please contact Alison Petretti at 646.673.4505 or by email firstname.lastname@example.org