CATLIN, George (1796-1872). Plate No. 25 Wi-Jun-Jon an Assiniboine Chief...Going to Washington...Returning to his home
Hand-colored lithograph heightened with gum arabic by John McGahey (active 1835–1855) after George Catlin (1796-1872) printed by Day & Haghe
From the first edition of Catlin’s North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Praries of America. From Drawings and Notes of the Author, made during Eight Years' Travel amongst Forty-Eight of the Wildest and Most Remote Tribes of Savages in North America. London: Geo. Catlin, Egyptian Hall, 1844
Paper dimensions: approximately 22 ¾ x 16 ½ inches
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Catlin provided the following description to accompany this subject:
PLATE NO. 25.
WI-JUN-JON. THE PIGEON'S EGG HEAD.
In offering this illustration to the reader, I am representing to him a faithful delineation of the resemblance of an Assinneboin Warrior, in the flowing and classic costume of his country, as he appeared on his way to the city of Washington, faithfully contrasted with the uncouth plight in which he returned to his tribe the next season, after one year's teaching in the school of civilization: and in the following narrative, a faithful account of its melancholy and fatal results.
Wi-jun-jon, the Pigeon's Egg Head, was a warrior of the Assinneboins, young, proud, handsome, valiant, and graceful. He had fought many a battle and won many laurels. The numerous scalps from his enemies' heads adored his dress, and his claims were fair and just for the highest honours that his country could bestow upon him, for his father was head chief of the nation. This young Assinneboin, the Pigeon's Egg Head, was selected by Major Sanford, the Indian agent, to represent his tribe in a delegation which visited Washington city under his charge, in the winter of 1832. With this gentleman, the Assineboin, together with representatives of several others of those North-western tribes, descended the Missouri river several thousand miles on their way to Washington. While descending the river in a Mackinaw boat, from the mouth of the Yellow Stone, Wi-jun-jon and another of his tribe who was with him, at first approach to the civilized settlements, commenced a register of the white men's houses (or cabins) which they passed, by cutting a notch for each on the side of a pipe-stem, in order to be able to show, when they should get home, how many white men's houses they had seen on their journey. At first the cabins were scarce; but continually more and more rapidly increased in numbers as they advanced further down the river, by which means their pipe-stem was soon filled with notches, when they resolved to cut the rest of them on the handle of a war-club, which, to their great surprise, was soon filled also: at length, while the boat was moored at the shore for the purpose of cooking the dinner for the party, Wi-jun-jon and his companion stepped into the bushes and cut a long stick, from which they peeled the bark, and when the boat was again under weigh they sat down, and with much labour transferred the notches on to it from the pipe-stem and club, and also kept adding a notch for every house they passed. This stick was also soon filled, and in a day or two, two or three others; when at last they seemed much at a loss to know what to do with their troublesome records, until they came in sight of St Louis, which is a town of 20,000 or 30,000 inhabitants, upon which unexpected occurrence, after consulting a little, they pitched their sticks overboard into the river, leaving all further entries and records to those skilled in the use of pen, ink, and paper.
I was in St. Louis when they arrived, and painted their portraits while they rested in that place. Wi-jun-jon was the first who reluctantly yielded to the solicitations of the Indian agent and myself, and appeared as sullen as death in my painting-room, with eyes fixed like those of a statue upon me, though his pride had plumed and tinted him in all the freshness and brilliancy of an Indian's toilet. In his nature's uncowering pride he stood a perfect model, but superstition had hung a lingering curve upon his lip, which pride had stiffened into contempt. He had been urged into a measure against which his fears had pleaded; yet he stood unmoved and unflinching amid the struggles of mysteries that were hovering about him, foreboding ills of ever kind, and misfortunes that were to happen to him in a consequence of this operation.
He was dressed in his native costume, which was classic and exceedingly beautiful. His leggins and shirt were of the mountain goat skin, richly garnished with quills of the porcupine, and fringed with locks of scalps taken from the heads of his enemies. Over these floated his long hair in plaits that fell nearly to the ground; his head was decked with the war-eagle's plumes; his robe was of skin of a young buffalo bull, richly garnished and emblazoned with the battled of his life; his quiver and bow were slung, and his shield was made of a skin of the buffalo's neck. I painted him in this beautiful dress as well as the others who were with him; and after I had done, Major Sanford proceeded to Washington with them, where they spent the winter.
Wi-jun-jon was the foremost on all occasions--the first to enter the levee, the first to shake the President's hand, and make his speech to him; the last to extend the hand to, but the first to catch the smiles and gain the admiration of, the gentler sex. He travelled the giddy maze and beheld amidst the buzzing din of civil life the tricks of art, the handiworks, and finery; he visited the principal cities, he saw the forts, the ships, the great guns, steamers, balloons, &c.; and in the spring returned to St. louis, where I joined him and his companions on their way back to their own country.
Thought the politeness of Mr. Chouteau of the American Fur Company, I was admitted (the only passenger except Major Sanford and his Indians) to a passage in the steamboat, on her first trip to the Yellow Stone; and when I had embarked, and the steamer was about to start, Wi-jun-jon made his appearance on deck, in a full suit of regimentals! In Washington he had exchanged his beautifully garnished and classic costume for a full dress "en militaire." It was, perhaps, presented to him by the President. It was broadcloth, of the finest blue, trimmed with gold lace; on his shoulders were mounted two immense epaulettes; his neck was strangling with a shining black stock; and his feet were pinioned in a pair of waterproof boots, with high heels. On his head was a high-crowned beaver hat, with a broad silver-laced band, surmounted by a huge red feather some two feet high; his coat collar, stiff with lace, came higher up than his ears, and over it flowed down towards his haunches his long Indian locks, glues up in rolls and plaits and red paint. A large silver medal was suspended from his neck by a blue ribbon; and from his waist fell a wide belt, supporting by his side a broadsword. He had drawn a pair of white kid gloves on his hands, in one of which he held a blue umbrella, and in the other large fan. In this fashion was poor Wi-jun-jon metamorphosed, on his return from Washington; and in this plight was he strutting and whistling Yankee Doodle about the deck of the steamer Yellow Stone, that was wending its way up the mighty Missouri, and taking him to his native land again; where he was soon to light his pipe, and cheer the wigwam fireside with tales of novelty and wonder.
Not far from the mouth of the Yellow Stone River the steamer was moored by the side of an extensive and beautiful prairie, on which were encamped the whole of the Assinneboin tribe, to the number of 8000 or 10,000 souls awaiting the arrival of the steamer, with their two warriors from Washington city; one of whom, unfortunately for poor Wi-jun-jon had died of the quinsey on his way home, leaving the marvellous recitals to be made by his companion, uncorroborated, and to be received by the tribe for just as much as their superstitious credulity should deem them worth. When the steamer arrived opposite their encampment, Wi-jun-jon stepped ashore in the plight above named, with a keg of whiskey under his arm, and the umbrella in his hand, and took a position on the bank amongst his friends--his parents--his wife and little children--from whom he had been more than a year separated; not one of whom, for half an hour or more, exhibited the least symptoms of recognition, although every soul in the tribe knew well who was before them. He also gazed upon them--upon his wife and little ones who were about--as if they were foreign to him, and he had not a feeding or a thought to interchange with them. Thus the mutual gazings upon and from this would-be stranger lasted for full half an hour, when a gradual, but cold and exceedingly formal recognition began to take place; and an acquaintance ensued, which ultimately and smoothly resolved itself, without the least apparent emotion, into its former state; and the mutual kindred intercourse seemed to flow on exactly where it had broken off, as if it had been interrupted but for a moment, and nothing had transpired in the interim to the check or change its character or expression.
After Wi-jun-jon had reached his home, and thus passed the usual salutations among his friends, he commenced the simple narration of scenes he had passed through, and of things he had beheld among the whites, which appeared to his people so much like fiction that it was impossible to believe it, and the set him down as an imposter. "He has been (they said) among the whites, who are great liars, and all he has learned is to come home and tell lies." He sank rapidly into disgrace in his tribe; his high claims to the political eminence all vanished; he was reputed worthless -the greatest liar of his nation; the chiefs shunned him and passed him by, as one of the tribe who was lost; yet the ears of the gossiping portion of the tribe were open, and the camp-fire circle, and the wigwam fireside gave silent audience to the whispered narratives of the "travelled Indian."
The next day after he had arrived among his friends the superfluous part of his coat (which was a laced frock) was converted into a pair of leggins for his wife, and his hat-band of silver lace furnished her a magnificent pair of garters. The remainder of the coat, curtailed of its original length, was seen buttoned upon the shoulders of his brother, over and above a pair of leggins of buckskin; and Wi-jun-jon was parading about among his gaping friends, with a bow and quiver slung over his shoulders, which, sans coat, exhibited a fined linen shirt with studs and sleeve buttons. His broadsword kept its place, but about noon his boots gave way to a pair of garnished mocasins; and in such plight he gossiped away the day among his friends, while his heart spoke so freely and so effectually from the bung-hole of a keg of whiskey, which he had brought the whole way, (as one of the choicest presents made him at Washington,) that his tongue became silent.
One of his little fair enamoratas, or ""catch crumbs"" such as live in the halo of most great men, fixed her eyes and her affections upon his beautiful silk braces; and the next day, while the keg was yet dealing out its kindnesses, he was seen paying visits to the lodges of his old acquaintances, swaggering about, with his keg under his arm, whistling "Yankee Doodle," and "Washington's Grand March;" his white shirt, or that part of it that had been flapping in the wind, had been shockingly tithed -his pantaloons of blue were razeed into a pair of comfortable leggins; his bow and quiver were slung; and broadsword, which trailed on the ground, had sought the centre of gravity, and taken a position between his legs, and dragging behind him, served as rudder to steer him over the "earth's troubled surface."
Two days’ revel of this kind had drawn from his keg all its charms; and in the mellowness of his heart, all his finery had vanished, and all its appendages, except his umbrella, to which his heart's best affections still clung, and with it and under it in rude dress of buckskin, he was afterwards to be seen, in all sorts of weather, acting the fop and the beau as well as he could with his limited means. In this plight, and in this dress, he began, in his sober moments, to entertain and instruct his people, by honest and simple narratives of things and scenes he had beheld during his tour to the East; but which (unfortunately for him) were to them too marvellous and improbable to be believed. He told the gaping multitude, that were constantly gathering about him, of the distance he had travelled -of the great number of houses he had seen -of the towns and cities, with all their wealth and splendour -of travelling on steam-boats, in coaches, and on railroads. He described our forts and seventy-four gun ships, which he had visited; their big guns; our great bridges; our large council-house at Washington, and its doings; the curious and wonderful machines in the Patent Office (which he pronounced the greatest medicine place he had seen); he described the great war parade, which he saw in the city of New York; the ascent of a balloon from Castle Garden; the surprising numbers of the "Pale Faces," the beauty of their squaws; their red checks; and many thousands of other things, all of which were so much beyond their comprehension that they "could not be true" and "he must be the greatest liar in the whole world."
But he was beginning to acquire a reputation of a different kind. He was denominated a medicine-man, and one, too, of the most extraordinary character; for they deemed him far above the ordinary sort of human beings whose mind could invent and conjure up for their amusement such an ingenious fabrication of novelty and wonder. He steadily and unostentatiously persisted, however, in this way of entertaining his friends and his people, though he knew his character was affected by it. He had an exhaustless theme to descant upon, and he seemed satisfied to lecture all his life for the pleasure which it gave him. So great was his medicine, however, that they began, chiefs and all, to look upon him as a most extraordinary being; and the customary honours and forms began to be applied to him, and the respect shown him, that belongs to all men in the Indian country who are distinguished for their medicine and mysteries. In short, when all became familiar with the astonishing representations that he had made, and with the wonderful alacrity with which "he created them," he was denominated the very greatest of medicine, and not only that, but the "lying medicine." That he should be the greatest of medicine, and that for lying, merely, rendered him a prodigy in the mysteries that commanded not only respect, but at length, (when he was more maturely heard and listened to,) admiration, awe, and at last dread and terror; which altogether must needs conspire to rid the world of a monster, whose more than human talents must be cut down to less than human measurement.
In this way the poor fellow had lived, and been for three years past continually relating the scenes he had he beheld in his tour to the Far East until his medicine became so alarmingly great, that they were unwilling he should live: they were disposed to kill him for a wizard. One of the young men of the tribe took the duty upon himself, and after much perplexity hit upon the following plan: To wit. - He had fully resolved, in conjunction with others who were in the conspiracy, that the medicine of Wi-jun-jon was too great for the ordinary mode, and that he was so great a liar that a bullet from his rifle, or an arrow from his bow, would not kill him. While the young man was in this distressing dilemma, which lasted for some weeks, he had a dream one night which solved all his difficulties, and in consequence of which he loitered about the store in the Fort, at the mouth of the Yellow Stone, until he could procure by stealth (according to the injunctions of his dream) the handle of an iron pot, which he supposed to possess the requisite virtue, and taking it into the woods, he there spent a whole day in straightening and filing it to fit it into the barrel of his gun; after which he made his appearance again in the Fort, with his gun under his robe, charged with the pot-handle, and getting behind poor Wi-jun-jon, whilst he was talking with the trader, placed the muzzle behind his head and blew out his brains!
Thus ended the days and the greatness, and all the pride and hopes of Wi-jun-jon, the "Pigeon's Egg Head," a warrior and a brave of the valiant Assinneboins, who travelled eight thousand miles to see the President, and the great cities of the civilized world; and who, for telling the truth and nothing but the truth, was, after he got home, disgraced as a liar, and killed as an impostor.
George Catlin (1796-1872)
George Catlin was the earliest great artist to travel extensively among the Plains Indians of North America and visually record their customs and artifacts. Through the important body of paintings and graphics he created and his carful written observations he sought to persuade his contemporaries that Native American culture should be honored and preserved.
In 1830 Catlin began his first journey up the Missouri River accompanying General William Clark on a diplomatic mission into Native American territory. His travel was inspired by his longstanding interest in Native American culture and by his observation of a delegation of Native Americans who were on their way to Washington, D.C. In doing so left behind earlier careers as a Philadelphia attorney and a portrait miniaturist. His goal was perhaps best expressed in the preface to the first edition of his North American Indian Portfolio: "The history and customs of such a people, preserved by pictorial illustrations, are themes worthy the lifetime of one man, and nothing short of the loss of my life shall prevent me from visiting their country and becoming their historian."
St. Louis became Catlin’s base of operations for five trips he took between 1830 and 1836, eventually visiting fifty tribes, the Pawnee, Omaha, Ponca, Mandan, Hidatsa, Cheyenne, Crow, Assiniboine, and Blackfeet among them.
The artist’s hundreds of portraits, scenes, and landscapes and extensive collection of Indian artifacts he accumulated on his excursions became famous as Catlins "Indian Gallery", when it started touring the United States in 1837 and prior to its London debut two years later.
Having established a name for himself with the success of the "Indian Gallery", Catlin focused his attention on finishing his first book, The Manners, Customs, and Condition of the North American Indians… which first appeared in the autumn of 1841. This book was to become one of the most important works on American Indians published in the 19th century. Catlin's project filled a great need. Following Lewis & Clark's celebrated expedition up the Missouri River into the Pacific Northwest, Europeans read avidly of the sights and experiences of the voyage. They traced the route followed by the explorers, using the map that accompanied the wildly popular printed volumes on the journey.
Lacking, however, from the accounts of the expedition of Lewis and Clark was pictorial documentation and its audience (both American and European) were unable to visualize the journey. This lacuna meant that the people, landscapes, and customs of the vast American frontier remained abstract ideas, much less vividly imaginable to anyone who had not personally experienced the voyage. When first issued in 1844, Catlin’s portfolio presented animated, colorful, sympathetic views of Native Americans finally filled the void of imagery.
Its arrival brought about the ability for Europeans and Americans to visualize the people and customs of whom they had read so extensively, and to gain a level of respect for the Native Americans, so often feared, misunderstood or misrepresented. The artist's stunning lithographs ranged from portraits to depictions of tribal ceremonies, from the anecdotal to the idealized. Catlin appealed to his readers with the thrill of the hunt and the mystery of ritual, and conveyed his respect for his subjects masterfully. The immediacy of his images is irresistible, drawing viewers into the scenes and portraits with unprecedented intimacy. But even when Catlin issued the North American Indian Portfolio, just fifteen years after his expedition, his crusade to preserve America's "Noble Savage" was failing. The Indians were beginning to give way to the expansion of the American frontier and to European disease. Because most of Catlin's paintings and collections were destroyed by fire or neglect, his lithographs remain the principal medium by which his message was conveyed, and they have come to hold even greater significance today than when they were first published.
Description compiled by Erik Brockett who is pleased to provide additional information relating to this or other examples of the work of George Catlin available at Arader Galleries. He can be contacted at email@example.com